1.10 Queen of the Night

Everyone is very glad to be reunited. Geoffrey would also like his husband back.

When last we met...

Having decided that helping Catherine take over the Sunken City was an ill-advised idea, the crew arranged an exit instead. Agent Dire—a stranded Man in Gray connected to the Niner cloning program—showed them the way into the Undertrash in exchange for Maeve delivering a letter to his wife and daughter. Sergei left with a completed ray gun and a phone that could reach Daedalus from the surface.

Their departure did not go unnoticed. With Catherine, Rasputin, and guards in pursuit, Maeve unleashed a nightmare and Wren set the entrance ablaze. They escaped through the tunnels, losing London’s horse and Kevin’s tuatara at the boundary where the Mist changed.

Now they are in the Undertrash, domain of the Queen of the Night. Still underground, still separated from Geoffrey and Daniel, and very ready to go home.

How it really happened

An attempt was made.

GalleryMaeve: When last we met, we had been separated from Geoffrey, who had gone on down the river with Maya and B.

GalleryKevin: Oh, so that far back.

GalleryMaeve: That’s where we start. I will try to go as high level as I can here. We found ourselves in a place called the Sunken City. It turns out it’s considered part of the same city as what is on the surface, but it operates completely differently. There’s basically no buffer between people and their Rifts. Everybody down here is supercharged.

GalleryGeoffrey: And did we ever find out the reason why the Rifts are so powerful?

GalleryMaeve: A little bit. The Sunken City is the Rift of Atlantis. It was founded, as I understand it, by people who both wanted to contain Rifts and people who wanted Rifts to live completely freely and unfettered. So this is basically a contained unit where people can do that. The Elders run the city. Nobody knows what an Elder is. Nobody knows if they still exist.

There is a brief diversion into Loki spoilers. The recap resumes.

GalleryMaeve: The Sunken City is a series of underwater domes connected by passageways. We wash up, pretty literally, in a dome governed by the Rifts of Rasputin and Catherine the Great. It also turns out that John and Sergei are originally from this dome.

GalleryJohn: Wait, what?

GalleryMaeve: We find ourselves in imperialist Russia.

GalleryGeoffrey: Odd place for that to show up, but okay.

GalleryMaeve: Long story short, Catherine the Great wants to take over the entire Sunken City, and to do that she’s got to take the tower in the central part of the city. Sergei is really the only successful clone of John. Catherine wants an heir and successor who’s worthy and invested and interested in the role.

GalleryGeoffrey: What’s the impetus behind John not being worthy?

GalleryMaeve: Because he’s not ambitious.

GalleryJohn: I don’t care.

GalleryGeoffrey: Because he’s half Rasputin?

GalleryMaeve: Yeah, pretty much. Daedalus fixed that problem by splicing his own DNA—

GalleryGeoffrey: A little too far in the other direction.

GalleryLondon: Catherine is looking for somebody strong and ambitious and intelligent in equal measure.

GalleryGeoffrey: And perhaps a little malleable.

GalleryLondon: To her purposes.

GalleryGeoffrey: And the other clones—this is like a Multiplicity situation?

GalleryMaeve: Yes, the other clones are all rock stupid. We met a woman named Mariah who’s responsible for taking care of them. She mistook John and Sergei for these clones, who are only known by numbers, and brought us back into Rasputin’s fold.

Daedalus used to work for Helix on the surface. Rasputin is very good at persuading people to stay. Neither fact makes leaving sound like a worse idea.

GalleryMaeve: We went through a long period debating whether to help Catherine take the tower or get the heck out. We explored the tower, managed to infiltrate it, but could only send Maeve that way. We couldn’t find another approach. Ultimately, we decided putting Catherine the Great in charge was not such a good idea.

GalleryGeoffrey: I think that’s a wise move.

GalleryLondon: London was totally prepared to put Catherine the Great in charge if it got us out of here.

GallerySergei: So was Sergei, but he has less morals than the rest of you.

GalleryLondon: Try me...

GallerySergei: Challenge accepted.

GalleryLondon: ...Says the one who slept with your mom.

GalleryJohn: Write it down.

GalleryLondon: And is roughly the same age as you are.

GalleryMaeve: That said... I lost my train of thought.

GalleryJohn: Did you?

GalleryKevin: Did you though?

GalleryLondon: It was a very strategic move on my part.

Back to the cloning.

GalleryMaeve: Daedalus mentioned a guy from the surface who helped him with stabilizing clones. We wanted to talk to him because we realized the clones he was creating were the Niners.

GalleryGeoffrey: So all of the Niners are Johns and Sergeis?

GalleryJohn: They are clones. Surface clones.

GalleryMaeve: Daedalus said they’re clones of people who didn’t want to be cloned. The Niners obey orders unconditionally. They’re perfect soldiers. That’s what they were created to be. Dire helped Daedalus with the process, but Daedalus didn’t want to create the same kind of clone.

GalleryGeoffrey: So how are we feeling about war crimes? Because if the Niners are all genetically identical—biological weaponry, introduce a pathogen.

GalleryMaeve: What are you talking about?

GallerySergei: Kill them all. I may know the scientist who can do that. Just saying.

GalleryMaeve: But yeah, we questioned Dire. We learned a lot more about the Men in Gray. The Shrouders do what we were calling stitching. That is literally excising a Rift, like a tumor. If we have a situation like Denver, with multiple stitching, it means that person has been what the Men in Gray would call “infected” multiple times.

GalleryGeoffrey: To what purpose?

GalleryMaeve: Well, she’s an amazing human. I can see why Mythoi would gravitate towards her like moths to flame.

GalleryGeoffrey: So they’re viewing the infecting as a natural thing, not something they inflict on somebody?

GalleryMaeve: Having a Rift is like having cancer.

GalleryGeoffrey: According to them?

GalleryMaeve: According to them.

GalleryGeoffrey: So they’re not stitching Rifts onto people?

GalleryMaeve: No, they’re removing them, but they seem to be able to use what they remove.

The dog briefly requires everyone’s attention.

GalleryMaeve: He’s doing dog things. They’re very important.

Back to the Men in Gray.

GalleryMaeve: There’s a separate subgroup called Rupturers. Rupturers are able to use a Rift without having it be a ride-along. To use the police term. Which is how Maeve thinks of them.

GalleryMaeve: Basically, you can use a Rift without it being in your head with you.

GalleryGeoffrey: Maeve has to redefine the cop phrase “ride-along” now.

GalleryMaeve: Oh my God, you are so gross. Point being—

GalleryGeoffrey: Was Maeve alone in that scenario with Cillian, by the way? Was there a third party?

GalleryKevin: Which scenario? Are you counting the Rifts?

GalleryMaeve: No, we were alone.

GalleryGeoffrey: There was a scene where Maeve was play-acting like she was gonna have a threesome.

GalleryMaeve: No, she wasn’t. London came to their room—is that what you’re talking about?

GalleryGeoffrey: Maeve pulled two characters into a bathroom.

GalleryMaeve: Oh yes. No, there were three of them. John and Sergei and Cillian.

GalleryJohn: Yes, in the bathroom, trying to trick somebody.

GalleryMaeve: Right. That was not a thing.

MC: Cillian was really happy things actually worked out after that, because he was left in dire straits.

GalleryMaeve: Yes, there was a scene where Maeve was in a bathroom with the twins and Cillian. But it was only intended to look like that. It wasn’t actually intended to play out that way.

GalleryGeoffrey: Gotcha.

GalleryMaeve: And then London comes to Cillian’s room, but London had his own issues.

GalleryGeoffrey: And London never actually took up Catherine on her invitation.

MC: Oh, he did.

GalleryGeoffrey: He did?

GalleryJohn: He did.

GalleryGeoffrey: Oh, okay, so London has personal knowledge of whether Catherine really is Great.

GalleryLondon: He has said absolutely nothing on this subject. Although nobody’s really asked.

MC: I like that you pulled the quote where he was like, “No, I’m not going back,” and Cillian was like, “That bad, huh?”

GalleryLondon: She was pretty pissed at us at that point. Some things are just not worth it.

GalleryMaeve: Stop throwing me off track! [Our] sexual escapades are not the point.

GalleryGeoffrey: I’m reconciling the high notes—

GalleryMaeve: You’re just taking all the dirt and trying to insert it into this. I get it. It’s fine.

GalleryGeoffrey: But you don’t have to use the word “insert.”

GalleryKevin: I was letting that one go by. I caught it. Keep plugging.

GalleryMaeve: I’m never telling you anything ever again. Ever, ever, ever.

GalleryGeoffrey: I’m just getting into Geoffrey’s character right here.

GalleryJohn: What would Geoffrey do?

MC: What would Geoffrey do?

GalleryJohn: WWJD?

GalleryMaeve: Rasputin, probably.

GalleryGeoffrey: Geoffrey would put that ass back in Rasputin.

MC: Fair play. Fair play.

GalleryJohn: Not wrong.

GalleryMaeve: Oh my God, it’s gonna be that kind of night, kids.

GalleryGeoffrey: I’ve been drinking since 4:30.

GalleryMaeve: Okay, so where was I? Who’s even telling this story?

Approximately sixteen minutes into the recap.

GalleryMaeve: There was a little bit of British bedroom farce. We had a lot of slamming doors involved.

GalleryKevin: And a lizard.

MC: And London got hit on by Rasputin.

GalleryLondon: We learned that spending a whole lot of time alone with Rasputin is a really bad idea. So London opted not to, which I’m really glad somebody told him beforehand. Otherwise, he probably would have been like, “Sure, I can learn a few things this way,” and I would have been in a lot of trouble because my dice hate me.

GalleryMaeve: We decided to get out. We see Dire. We say goodbye to Daedalus. Daedalus gives Sergei a phone that will reach him from the surface. We did a lot of cloak and dagger, sent John out the back. We used a whole bunch of super cool powers we’ll never get to use again, and went through a cave that brought us up in the Undertrash.

Trying to think if there’s anything else super important. Oh, Cillian has a Rift.

MC: Oh yes.

GalleryMaeve: We don’t know what will happen when he gets back to the surface.

GalleryKevin: The vibes were so strong down under, even people that didn’t have Rifts could be kind of Riftified.

GalleryMaeve: The first time we looked at Cillian, there was a locked box. The second time, it was a fully manifested Rift.

GalleryKevin: Though that was not day one.

GalleryMaeve: Day one was the locked box. Day two was fully manifested Rift.

GalleryGeoffrey: He’s flowering in more ways.

GalleryMaeve: I thought that was called deflowering. Whatever. Anyway.

The recap does not recover.

GalleryGeoffrey: I’m just asking questions. I’m just making observations.

GalleryMaeve: Are you even here?

GalleryGeoffrey: This is your plot. Y’all had these games, not Geoffrey.

MC: Gonna have to insert this whole conversation—

GalleryMaeve: No, we don’t talk about inserting!

MC: Let’s stick this conversation in, though. All right, I’ll take it down a peg.

GalleryMaeve: Oh no, you’re fine! I can handle it. I can handle it! Anyway!

GalleryGeoffrey: Everything is sex.

GalleryMaeve (after the recap): "I'm never telling a story ever again."
GalleryKevin: "Best story ever, man."

Under the City

The cave out of the Sunken City becomes more urban and increasingly filthy, and the stench of trash becomes almost overpowering. With everyone’s mythoi back to something approaching normal, the crew picks through the dark by phone light. Wren’s earlier decision to put the phones in rice has paid off. Even London’s mostly works, although given his relationship with technology, it may take him a while to notice the difference.

A break in the concrete overhead offers a possible way up. Maeve asks Cillian whether he can Jack-and-the-Beanstalk them out of here, but apparently, that is no longer an option. He seems as surprised as she is. When she takes a closer look, she can still detect something supernatural in him; whatever happened below has not completely gone away. But it's definitely not as powerful here.

Which means that for now, all they have to work with is a very tall cop and a walking stick.

Kevin climbs onto Cillian’s shoulders and peeks through the broken concrete, finding an abandoned subway tunnel above them. He wedges the sturdy walking stick he has scavenged into the rubble as a handhold, although the maneuver also earns Cillian a Birkenstock to the face. John follows, receives a very specific warning about kicking Cillian, kicks him anyway, and gets punched in the balls. Catherine’s hopes for grandchildren suffer another setback.

As their phones regain reception, messages from Geoffrey and Daniel arrive in a flood. They are alive and have been hiding out at the Griffin’s Nest for several days, trying to keep Geoffrey from being arrested.

Daniel (texting): "Watch out for District Attorney King. Law enforcement may be after all of us."

Cillian winces. That is bad. King is the City’s head district attorney, and she is excellent if you want someone prosecuted. He might really be in trouble at work this time.

Kevin: "What if you don’t want to be prosecuted?"

The backlog of text messages also reveals that Daniel has been in Maeve’s apartment.

Daniel (texting Maeve): "Oh my God, oh my God, oh my God, how do you live like this, Maeve?"
"Made some adjustments to your board, should be clearer now."
Maeve: "He’s been touching my shit!"
Cillian: "Do you want to punch him or should I do it for you?"
Maeve: "Oh, you should definitely do it for me."

Daniel’s examination of the crime board is apparently how they found the Griffin’s Nest in the first place, and Cyrus has let them stay as a courtesy to Maeve. Maeve anxiously tells Cillian that she has not been introducing people to Cyrus or owing any more favors. Cillian reassures her that it won't be an issue. She begins to ask him a question, stops herself, and turns away with a sigh.

Geoffrey, meanwhile, has noticed that someone is finally receiving his messages.

Geoffrey: "Bitch, I know you were not leaving me on read."
Maeve: "Oh my God! Bitch, there are rats."

Geoffrey tells her to run. Nothing communicates relieved affection like vulgar name-calling.

Hail to the Queen

Geoffrey (reviewing Maeve's location): "Oh, you're at the corner of fucked and screwed."

Maeve shares her location, and Geoffrey advises against trying to surface where they currently are. East looks better. They follow the tunnel past intermittent lights and walls covered in graffiti, which Maeve stops to examine. Some of the artists are genuinely good. Increasingly, the work includes declarations of loyalty to the Queen of the Night.

The tunnel opens into a station with several tracks and a bricked-up exit. A cart sits on a northbound line. Kevin checks it and finds the wheels oiled: this is not abandoned equipment. There are children’s chalk drawings nearby, recent wrappers, and a half-finished drawing with the chalk dropped beside it. Someone has been here quite recently.

Kevin calls out that they mean no harm and would appreciate help finding their way out. But the tunnels are silent in response.


Maeve (texting): "Have you been talking to Cyrus?"
Geoffrey (texting): "Yes."
Maeve (texting): "So are you getting me in trouble?"
Geoffrey (texting): "I am keeping Daniel out of trouble."
Maeve (texting): "...Daniel doesn't get in trouble."

At the Griffin’s Nest, Geoffrey takes news of the group's whereabouts to Cyrus, who summons Bernard. Bernard knows about the queen: Yasmin, a woman who looks after her people and whose territory is a useful place to go when you are in trouble. He can get Geoffrey and Daniel underground, although finding their friends once they are down there may be more complicated.

Daniel, Geoffrey reports, should be able to help with that. If Geoffrey can pull him away from his fans.

Daniel is at the bar, engaged in cheerful conversation with several people. This is unusual enough that Geoffrey keeps looking over at him. There has been a role reversal, and Geoffrey is not entirely comfortable with it.

Bernard: "Boy, he's the life of the party, eh?"
Geoffrey: "Yeah, that's ...fun."
Bernard: "Fun one to be married to."

When Geoffrey mentions Cillian is with the crew, Cyrus asks after him with concern, visibly relieved when Maeve confirms that Cillian is still with her and okay. (More than okay, really, which Geoffrey manages to wheedle out of Maeve with delight.)


Geoffrey tells Maeve that, according to Daniel, the Queen may provide a place for the group to quite literally go to ground. She's connected to Daniel through Judge Sofia Sandoval, Inez’s biological aunt. If they can find her, she may be able to help them. She's an ally... of sorts.

Geoffrey (texting): "If you run into any underground mutants, maybe let them know that you are friends of a friend of Sofia's."
🔎
Wait... mutants?

The cart looks like their best chance of finding the queen. As the crew gets ready to board, another text arrives from Geoffrey.

Geoffrey (texting): "8=======D"
Cillian (looking over Maeve's shoulder): "Do I punch him too? Or, he’s your best friend, do I not punch him?"
Geoffrey (texting): "Is Cillian ><?"

[Cillian grabs Maeve’s phone and holds it out of her reach.]

Cillian (texting): "Wouldn’t you like to know. ❤️ Cillian"
Maeve: "Give me my phone! You asshole!"
Geoffrey (texting): "Why do you think I'm asking?"
Maeve: "I HATE YOU BOTH!"
👻
Fun fact. I went back to the transcript and counted equal signs. You're welcome.

Kevin is already in the cart.

Reunion

Geoffrey: "Oh God. All right, think skinny, think skinny..."

Bernard leads Geoffrey and Daniel through a winding series of dark alleys, into a nondescript building, and down through its basement. Geoffrey worries about putting their guide at risk—or, as he puts it, getting anyone else "dangered." Even so, Bernard insists on getting them safely underground. Once they're in the tunnels, he leaves them with some basic directions.

The entrance passageways are cramped. Daniel gives Geoffrey an affectionate goose while he is trying to squeeze through one of them. Geoffrey makes it down with a few scrapes; Daniel follows without difficulty.

Below, the graffiti adds some complications to the queen’s reputation. Several supportive messages have been crossed out. Others complain about a group called the Dwergs, often in connection with missing belongings. Daniel is delighted to discover an entire culture under the City that they know nothing about. Geoffrey points out that there may be good reasons they have not been exploring it.

🔎
The Queen of the Night has loyal followers, but also dissenters. There's not just an entire culture down here, there are political factions as well. We should find out what a Dwerg is, and why they are stealing other people's stuff.

When the map finally puts them in the same place as Maeve, their friends are nowhere in sight. They must still be on different levels. Daniel starts looking for a way down.

Daniel: “I don’t see the need to be quite so restrained anymore. It’s fine. Everything’s fine.”

He finds a panel that does not quite sit like the others. Geoffrey sees nothing promising about it, but Daniel opens it to reveal stairs and immediately starts down.

Geoffrey follows, trying again to have the conversation Daniel keeps avoiding. "You just have not been acting like yourself, and it’s really starting to concern me." His husband is taking risks, wandering off, and behaving as though nothing could possibly go wrong. Geoffrey has been gone, come back, gone again, and barely had a chance to reconnect with him.

Daniel keeps walking, absorbed in his surroundings. When he stops abruptly at another panel, Geoffrey bumps into him, knocking Daniel’s forehead into the door. Daniel turns that into a joke about Geoffrey’s amorous intentions.

On the other side, Kevin can hear familiar voices arguing somewhere behind the walls.

The panel finally opens onto the station.

Daniel: "Are we in Maeve’s apartment?"

Once they are out where she can actually see them, Maeve runs to Geoffrey and tackles him in a hug. She is near tears knowing that he is okay. She has been desperately worried.

Daniel would like to know where the fuck everyone has been. His swearing gets almost as much attention as the question.

“Well, it turns out I am a clone. I thought you should know,” Sergei says, and walks away.

“Way to ease him into it, man,” Kevin says.

Sergei turns back. “But I am a three-person clone. Is weird.”

There are additional disclosures about underground cities, Rasputin, Catherine the Great, and enormous walking crystal golems. Maeve produces her (totes adorable) keychain. Kevin would very much like to finish this conversation somewhere else.

Cillian, who has wandered a little farther along the station, calls them over to look at something.

Next Level

Through another break in the floor, Cillian has found a brightly lit cavern. Below them is an enormous winding earthen mound, with greenery and none of the immediate station’s accumulated filth.

Daniel looks down and jumps.

Cillian follows rather than leave him down there alone. Kevin and John go after them. Geoffrey, still catching up with Maeve, now has to explain that this is precisely the problem.

When he washed up after the river, the mermaid, Maya, thought the others had gone down the whirlpool and were probably dead. Geoffrey refused to believe her. He felt he would have known. He made it home, only to discover that Daniel had become someone who cheerfully walks into danger and dismisses every attempt to talk about it. Geoffrey can still recognize his husband, but the familiar caution is missing.

Maeve tells him something of what the Sunken City did to their own powers, including Cillian’s awakening. (She glosses over the fact that she did indeed die in that whirlpool.) But that does not explain Daniel, who was not there with them – and they are back to normal now anyway. As normal as they get, at least.

On the lower level, people have tucked tents into the curves of the giant mound, and flickering shadows from cook fires dance over its high, sinuous shape. A man cooking a hot dog over a fire introduces himself as Gib. Daniel asks where they can find the Queen of the Night, and Gib suggests the Night Court. Daniel explains that he needs to get a message to someone on the surface. They talk a bit about Yasmin, but Gib doesn't have much information. He’s only seen her from a distance. Gib's clothes are worn and a little dirty, but recognizably modern.

There is no obvious source for the cavern’s light. John gets a sense of something ancient here, something full of potential, although he cannot yet say what.

Back up above, London finally interrupts Maeve and Geoffrey to point out that their companions have disappeared. They descend to catch up.

Daniel has already found something else.

The Settlement

Unnaturally colored smoke wafts out from one of the tents. Daniel approaches just as its flap opens and a man in a gray fedora steps out. Startled, the man draws a gun.

Daniel looks... amused?!? He tilts the probabilities toward a misfire, and the gun clicks uselessly.

Daniel: “I don’t think that’s gonna work.”

Then a wave of dizziness hits him. His connection to his Mythos drops away.

Cillian calls out the gun, and Geoffrey grabs Daniel and yanks him aside. Daniel continues laughing, but the laughter is becoming ragged. His certainty has gone.

Cillian catches the gunman’s arm, and John helps wrestle the weapon away, jamming a finger in the process. Another man emerges from the tent with another gun. Then another.

London moves around the side of the tent, draws his switchblade, and starts cutting ropes while Kevin works on pulling up the stakes as the two try to collapse the tent. Neither gets it down immediately. Out front, the second gunman fires at John, who pulls the initial gunman partly in front of himself as a shield. The protection is incomplete: John is left with his Mythos impaired from the shot.

Sergei brings out the weapon he developed to affect crystalline orichalcum. His first attempt goes badly, hitting the tent and leaving him briefly blinded.

Maeve, still without the gun Duke’s people took from her, checks for ghosts in the area. There are a lot of them down here.

She manages to force four of them to follow her instructions. She assigns one to closing the zipper on the tent, one to help pull tent stakes, and one to stick a finger into a gun barrel, Looney Tunes style. The last one she orders to enter the tent and "poltergeist shit up."

To anyone who can see what she is doing, Maeve takes on the divided aspect of her Mythos: moonlight and shadow, one eye glowing white and one obsidian black, cold air stirring her hair. Her voice becomes strangely alien as she gives the ghosts their commands.

“Is it weird that you’re hot that way?” Cillian asks, still grappling with a gunman.

The tent zips shut. There is eventually screaming from inside.

Geoffrey is still holding Daniel, whose attention has returned to the smoke. He stops struggling, and when he speaks again, he sounds more like himself. He tells Geoffrey they need to get away from the smoke, now.

Queen of the Night

GalleryJohn: “The enemy of my enemy is my friend.”
GalleryMaeve: “She’s totally our friend. Death goddesses are awesome.”
GalleryKevin: “She looks friend-shaped.”

There is shouting elsewhere in the cavern. John rallies the residents for help, putting the Pied Piper behind the appeal. People emerge from their tents and begin picking up sticks, hot-dog forks, and whatever else they can use.

One of them announces he is "tired of the men doing this."

More gray-clad figures are climbing up onto the top of the mound. On another part of it, a woman appears. London thinks he recognizes Ereshkigal, the Sumerian goddess of the dead. The Queen of the Night.

Below at the tent, Wren punches one of the armed men hard enough to stagger him, but he remains standing and turns his gun toward her. Kevin’s tent stake finally comes loose. He stumbles back, the stake flies, and it hits the man in the head. That finishes the job, and he crumples to the ground.

The queen draws a scimitar, screams, and charges along the top of the mound toward the approaching Men in Gray.

Daniel asks Geoffrey to retrieve the unconscious man’s fedora. He thinks there may be something strange about the hats. Geoffrey checks whether his husband intends to do anything else crazy before leaving him long enough to fetch it. Daniel stays where he is. So... not right now, apparently.

The smoke spreads around the collapsing tent. London and Kevin begin to feel dizzy, then disconnected from their powers. Sergei, able to see again, takes another shot at one of the men. This time he hits squarely.

Nothing appears to happen. The man looks at the weapon, then at Sergei. "Impressive."

🔎
Both the smoke and the gray men’s gunfire interfere with Mythos.

Above them, the queen drives the intruders back. One breaks something from a lanyard, makes a sign in the air, and dives into nothing. He vanishes. The men behind him follow through the same empty space.

The tent is mostly down, with one stake still holding and people still inside. One of the conscious men outside tries to unzip it and retreat, but Wren catches him in a full nelson and pulls him away. Geoffrey removes his hat, too.

Without it, his face is easier to see, but the lining looks like ordinary silk or satin. So far, the hat is just a hat.

The captive is frightened. The queen is going to kill him, and he wants them to let him go. Geoffrey is not inclined to let someone shoot at them and then simply leave when the situation becomes inconvenient. He demands to know what the man in gray is doing here in the first place.

Kevin stumbles away from the smoke, waiting to find out whether his connection to Whiro will return. Maeve moves to collect the unconscious man’s gun, intent on getting a firearm again.

The captive gestures toward the winding mound. It is an artifact, he says. They do not know what it does.

👻
Knowing the Men in Gray... that probably means they want to avoid any of these people catching Rifts.
The Man in Gray: "We clean out this room on a regular basis so nothing happens to the people who are in it."